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Frank Fischer’s gloss-on-aluminium paintings hits the viewer with a highly charged linear surface of reductionistic colour code.
Although his paintings have a sleek, almost clinically perfect appearance, the physicality and potentiality chaotic aspect of his process are visible at the bottom of every work – with a row of stalactite-like dried drips, suspended at the edge of the stretcher.
Committing the colours to the hard aluminium surface is the result of a process developed by Fischer over years of experimentation.
Fischer found an affinity with gloss paint during his MA at Chelsea, and wanted to find a painting process that is endlessly repeatable, but still retains an element of chance.
Fischer ‘challenges chance’ by repeating single drips onto the smooth ground – and the work itself decides it is finished when all the drips are straight. |
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